DBD: Raise Your Horns – Amon Amarth

Amon Amarth have a new Video to „Raise Your Horns“ released, in which in addition to many fans and musicians such as King Diamond, Kerry King (Slayer), Zakk Wylde (Black Label Society), Dave Mustaine (Megadeth) or Scott Ian (ANTHRAX) see are. „Raise Your Horns“ can be found on the last album of Sweden, „Jomsvikings“, the most 25. March has been released…

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Amon Amarth - Raise Your Horns

DBD: At Dawn’s First Light – Amon Amarth

Amon Amarth filters with „At Dawn’s First light“ the second Video from its current concept album „Jomsvikings“ before. The video plays in a Slavic settlement of 9. Century, where the easterly storm of Triglav Jomsborg, eine epische Schlacht zwischen den Dorfbewohnern und einer dort einfallenden Wikingerhorde unter Anführer Igor Górewicz stattfindet. Right in the middle Amon Amarth, as background music „A Dawn’s First Lightspielen und dabei unglücklicherweise Ziel des ein oder anderen Pfeils werden

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Amon Amarth - At Dawn's First Light

DBD: First Kill – Amon Amarth

Subsequently, the Video for the first single „First Kill“ aus dem kommenden Amon Amarth Album „Jomsvikings“. Das zehnte Studioalbum der Schweden erscheint am 25. März und wird das erste Konzeptalbum von Johan Hegg und Co. be, das eine Geschichte von Love und Rache erzählt, die in der Welt der Jomswikinger spielt. Hegg verrät über die Handlung:

Die Jomswikinger waren eine schattenhafte und legendäre Söldnertruppe der Wikinger, today always noch vom selben Mythos umgeben ist, wie in der Zeit, in der sie sich durch Europa und den mittleren Osten kämpfte. Sie waren rücksichtslose und todbringende Krieger, die für denjenigen kämpften, der sie am besten bezahlte. Sie hatten einen simplen Kodex: Zeige keine Fear. Weiche niemals zurück. Verteidige Deine Brüder und wenn Du dazu aufgefordert wirst, räche ihren Tod. Ich hatte das Gefühl, dass wir als Band soweit waren, die Geschichte der Jomswikinger als Ausgangspunkt für ein AMON AMARTH-Album zu nutzen. Die Jomswikinger und ihre Welt bilden den Hintergrund für die Geschichte eines jungen Mannes, der ein Mädchen liebt, das mit einem anderen Mann verheiratet wird. Als er davon hört, tötet er versehentlich einen Mann und muss daraufhin fliehen – aber er schwört Rache und will das Mädchen zurückgewinnen. Die Vergangenheit lässt ihn nicht los. Er fühlt sich betrogen und sein Leben wurde zerstört. Und wie man sich denken kann, gibt es kein Happy End.

na dann manner, holt schon mal die Trinkhörner raus und dreht die Boxen auf, es wartet epischer Melodic Death Metal, der euch Ohren waschen wird. Davon ist zumindest auszugehen, nachdem man sich „First Kill“ reingezimmert hat.

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Amon Amarth - First Kill

Amon Amarth: Magnificent „Keyboard Warrior“ Teaser

To her forthcoming video clip „First Kill“ Amon Amarth have released a teaser. The song is the first taste of the upcoming and yet untitled album, which is to be released this year… and who with Vikings which may begin, should see the teaser necessarily…

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Amon Amarth - Keyboard Warrior

DBD: Deceiver Of The Gods – Amon Amarth

Here the new Amon Amarth-Video „Deceiver Of The Gods“ Go to film „Northmen – A Viking Saga“, dem Kinodebüt von Johan Hegg. Das Titelstück des aktuellen Amon Amarth-Albums „Deceiver Of The Gods“ is refined in a performance video with scenes…

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Amon Amarth "Deceiver Of The Gods" (Official Video)

DBD: Out Of The City – Audrey Horne feat. Johan Hegg

„Audrey Horne“ show their new Video „Out Of The City“ – and are in the clip not to see themselves! Instead plays Johan Hegg Amon Amarth Viking Star and makes together with hand puppets, a hot classic car and his wife the city and a karaoke party uncertain! Perhaps the rock video of the year!

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Audrey Horne - Out Of The City (Official Video) | Napalm Records

Amon Amarth Metal im-Walhalla

Why „Amon Amarth“ their style despite strong reference to the Nordic warriors not easy Viking Death Metal call, is not really clear, but actually plays no role. The main thing, die Mannen um Überwikinger Johan Hegg liefern weiterhin verdammt geilen Sound und grossartige Shows. The program promised Brutal Death, Thrash, Black and Melodic Death Metal and therefore it was not surprising, dass sich viele Metalheads schon früh einfanden. Dass es voll werden würde war auch an einem Dienstag nicht überraschend. Unterstützung erhielten die Wikinger aus den USA: Skeletonwitch, Havok und Suffocation waren dafür besorgt, to fuel the mood. An absolutely magnificent line-up, which early August, the metal of Walhalla Switzerland, das Z7 Pratteln and, bis in die Grundfesten erschüttern liess!

Amon Amarth Metal im-Walhalla

„Amon Amarth“ are at the forefront of the Melodic Death Metal based on Viking myth and legend, and this band was one of the greats of the genre to Pratteln. Ever since the 2003 veröffentlichten Album „Versus The World“ are a perennial favorite and Sweden have established themselves with numerous tours and festival appearances among the best live bands. opened the evening „Skeletonwitch“ aus Ohio und zu diesem Zeitpunkt genossen viele noch ihr Feierabendbier bei schönem Wetter auf dem Vorplatz und warteten auf die ersten Klänge. From the start, went „Skeletonwitch“ as the real thing, doch vor die Bühne locken liessen sich aber vorerst nur wenige. Musically ensured elements of Thrash, Death and Heavy Metal along with the song, which is likely attributable to the Black Metal, für eine interessante Kombination. Titles like „I am of Death (Hell Has Arrived)“ wurden von den Amerikanern trocken und präzise präsentiert. Einen Bezug zum Publikum herzustellen gelang den Jungs während ihres ganzen Auftrittes zwar nicht, what around 30 Minuten Bühnenzeit auch nicht wirklich das Ziel war. Rather ensured „Skeletonwitch“ mit ihrem schnellen und aggressiven Sound für einen gelungenen Start in den Abend.

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Amon Amarth - Father Of The Wolf (live at Z7, Pratteln - 2014)

Since 2004 dedicated to „Havok“ aus Denver dem Thrash Metal und veröffentlichten bisher drei Studioalben und zwei EPs. Auch sie erhielten rund eine halbe Stunde Spielzeit und diese nutzten sie sehr aktiv und zeigten sich auf der Bühne sehr präsent. Criticism of society and Policy gehört bei ihnen zum Standard, packaged in a rapid and intense interpretation of the Bay Area Thrash Metal, with Havok rather a Boy Band dieses Genres ist und auch moderne Einflüsse zu nutzen weiss. So waren durchaus auch Crossover-Elemente herauszuhören, with which they the Lyrics in Songs wie „Give Me Liberty… Or Give Me Death“ relentlessly underpinned. Without further ado then put the New Yorker „Suffocation“ The, the last support act that night. The band was nearly 25 Jahren gegründet und gilt als Urgesteine des Brutal Death. Die Herren boten von durchwegs düster-aggressiven Growls über schnelle Drums bis zu tiefen, easy knitted riffs the, what could be expected of them. Acoustically unfortunately this were not entirely, die Drums übertönten in den eigentlich ruhigeren Parts die Gitarren, der ganze Auftritt wirkte daher insgesamt etwas langatmig und eintönig.

Amon Amarth Metal im-Walhalla

Während dem Bühnenumbau konnte man einen ersten Blick auf das imposante Bühnenbild werfen und mit den beiden riesigen Drachenköpfen auf der Bühne erreichte die Anspannung dann ihren Höhepunkt. Just a few minutes separated the present fans of the Vikings and then shortly after 22:00 Clock it was finally going! The first song played „Amon Amarth“ „Father Of The Wolf“ and this as we know it from them: From the outset fit every sound, alle Hände schnellten in die Höhe und vor der Bühne ging es von Beginn an zur Sache! With „Deceiver Of The Gods“ followed by the title track from the current album. Kurzatmige und prägnante Riffs, an aggressively held Refrain, kombiniert mit langen melodischen Parts und einem eingängigen, rein instrumentellen Übergang, who invited the whole hall to sing along. a great start! Thus it was, dass Johan Hegg die Anwesenden erst begrüssen konnte, as the first highlight of the evening was already history: „Metal Mecca Z7 – ready for some Metal? I fucking knew you were!“. First calls for a wall of death echoed through the Z7, was der Sänger trocken mit „Well, make sure nobody gets hurt“ beantwortete und zugleich ein herrlich ironischer Übergang zum nächsten Titel war, „Death in Fire“. Im vorderen Teil der Halle herrschte viel Bewegung und zur Bridge zur Mitte des Songs gingen bereits wieder alle Hände nach oben. The front man knew how to play with the audience, nahm gut gelaunt einen Schluck aus seinem Horn während die Gitarristen mit präzise gespielten Riffs zum zweiten, wesentlich melodischeren Teil des Songs übergingen. Spätestens als die beiden gleich anschliessend die ersten Klänge von „For Victory or Death“ played, clapped without exception everyone in the crowd.

Amon Amarth Metal im-Walhalla

Overall, slower than most titles, sorgten die sirenenartigen Riffs von Johan Söderberg für eine mystische Stimmung im Song “ As Loke Falls“. Während Olavi neben ihm und Frederik dahinter an den Drums ihre Parts präzise performten, grüssten Frontmann und Bassist von den Drachenköpfen. Das spärliche grüne Licht trug seinen Teil dazu bei, dass die imposante Bühnendekoration auch ohne Feuer seine optische Wirkung nicht verfehlte. Dennoch war diese nur eine schöne Nebensache, because of the presence of „Amon Amarth“ lebte von ihren unglaublich stimmungsvollen und abwechslungsreichen Songs und natürlich von Johan Hegg: Abseits der Bühne ein unscheinbar ruhiger, bodenständiger Typ, he turns on his appearances in an incredibly charismatic, energetic warrior, with his atmospheric, authentischen Gesang überzeugt. Mr. Hegg proves, that he can also bring his body live just as impressive clarity as to plate. Dem Mann könnte man tatsächlich abnehmen, to be the last descendant of the Vikings. Die ganze Band präsentierte sich in guter Form, the boys had apparently Bock on the show and played flawlessly and with great vigor.

Amon Amarth Metal im-Walhalla

„Guardians of Asgaard“ sorgte für Bewegung im Moshpit wie kaum ein anderer Song und „Shape Shifter“ then was the last song in the mid-term, which contained almost exclusively the more recent albums title. Während einer kurzen Verschnaufpause starrten nur die beiden Drachen mit gespenstisch leuchtenden Augen in die Dunkelheit. Froze the continuing applause from the audience, als die Rufe von Vögeln aus der Ferne den zweiten Konzertteil einleiteten. „Cry of the Black Birdswar der Auftakt zu einer Abfolge von Hits der früheren Platten. „Asator“, „Valhall Awaits Me“ or „War of the Gods“, that are Amon Amarth from the old days! With „Embrace of the Endless Ocean“ it was epic, der Song erzählt die atemberaubende Geschichte eines Kriegers, welcher auf der Heimfahrt von den heimischen Winterlandschaften träumt, but swallowed up by the icy waves of the vast ocean. Once again proved „Amon Amarth“ as melodic and emotional death metal can be. And every song is celebrated frenetically by the audience.

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Amon Amarth live @ z7 Pratteln - Twilight of the Thunder God

With „Victorious March“ gewinnen wieder energischere Klänge Oberhand und wurden zum regelrechten Triumphzug durch Pratteln. The public had not been long enough and so it was not surprising, dass die Jungs auf der Bühne noch nicht einmal so taten, als ob der letzte Song des regulären Sets wirklich der Abschluss des Abends gewesen wäre. Ohne lange zu Zögern packte Johan den Hammer aus, um den absoluten Übersong einzuläuten: „Twilight of the Thunder God“! Nochmals gingen alle Hände nach oben, long hair flying wildly through the air and the whole room sang the chorus with. Als Johan „if you’re loud enoughals Bedingung für einen letzten Song stellte, reached the display of the hall whopping 115.7 Decibel! No instruments, no microphones, it were alone the voices of the enthusiastic audience, welche diesen rekordverdächtigen Wert erreichten! With the last cracker „The Pursuit of Vikings“ translated Amon Amarth then a cracking finale. Uber 1500 Kehlen brüllten den Refrain – egged on by Mr Hegg – always louder with, was schon für kurze Gänsehaut sorgte. The whole thing was simply an unforgettable show: Class atmosphere, impeccable quality sound, a balanced and high-Related Set, to right, the Swedes were allowed to celebrate this evening! After the last song, the men cheered again sailed north and you can hold conclusively, dass man heute Abend schon eine Menge für sein Geld bekommen hat. An atmospheric evening of the „Amon Amarth“ with their performance, as already 3 Years earlier, einmal mehr wieder vollends zu überzeugen vermochten und das Z7 in ein Tollhaus verwandelten.

Amon Amarth Metal im-Walhalla

Tracklist:

  1. Father Of The Wolf
  2. Deceiver Of The Gods
  3. Death in Fire
  4. For Victory or Death
  5. As Loke Falls
  6. We Shall Destroy
  7. Guardians of Asgaard
  8. Shape Shifter
  9. Cry Of The Black Birds
  10. Asator
  11. Embrace of the Endless Ocean
  12. Valhall Awaits Me
  13. War of the Gods
  14. Victorious March
  15. Twilight of the Thunder God
  16. The Pursuit of Vikings
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Amon Amarth - Twilight of the Thunder God (live at Z7, Prattlen - 2014)
Amon Amarth Metal im-Walhalla
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DBD: Father Of The Wolf – Amon Amarth

Friends, Today there for you in „Death Bell of the Day“ Amon Amarth’s Video to „Father Of The Wolf“ from the album „Deceiver Of The Gods“, including the Lyrics

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Amon Amarth "Father Of The Wolf" (Official Video)

So he found the heart in barren land
It was beating, Still Alive
He held it gently in his hand
And looked up to the sky

With evil thoughts of vicious kind
And sinister disdain
His thoughts of bringing back to life
The witch that died In Flames

[Chorus:]
Serpent’s kin
Born of sin
Dark within
Father Of The Wolf!

He then devoured Gullveig’s heart
And she was born again
They brought to life an evil force
A beast that can’t be tamed

With dark deception in his soul
Betrayal of the gods
The bane of Oden now is born
Born of evil blood

[Chorus:]
Serpent’s kin
Born of sin
Dark within
Father Of The Wolf!

They brought to life a malicious force
A vile beast that cannot be tamed
Fimbultyr’s nemesis now is born
A vile beast that can’t be restrained

Dark!
Deception is his
Soul!
Betrayal of the
Gods!
Oden’s bane is
Born!
Born of evil blood!

[Chorus:]
Serpent’s kin
Born of sin
Dark within
Father Of The Wolf

Album Review: Amon Amarth – Deceiver Of The Gods

Not every band can claim every two years to release a new album, virtually throughout to tour and still get very positive reviews. But the Swedes do it time and time again to inspire their fans and so also classified „Deceiver Of The Gods“, now the ninth album by the melodic death metal band, in the number of its magnificent works of a. After the first one or two minutes it becomes clear, that Amon Amarth remain true to the tried and tested scheme even in this album. The new album of the quintet is broadly much wider than their previous albums, then influences of Doom let, Heavy und Thrash Metal recognize. AMON AMARTH himself said, they want to be more aggressive in their new shekel, and you can expect a good album, provided with typical sounds and the usual Wikingertum the band.

Amon Amarth

Freshness, new riffs, partly unleashed rage, some fine, polyphonic tones, regained vocal variation, and here and there gives lyrically times more than Battlefield, Fight, Sword und Honor – even if one is gebleiben course, true to the more straight forward lyrics roughly. Especially should be mentioned, that in the hands of Andy Sneap, the already who-knows-how many metal plates has produced, went and could mess up the, but he has not, Because the album sounds properly after AMON AMARTH. Not only the instruments have become harder and louder, and singer Johann Hegg has undergone a development, so his voice is even stronger on the new album, as she was on her previous albums already. Do not get me wrong, AMON AMARTH reinvent itself by no means. Here and there gleams the impression, to have heard this or that part already in another song more than similar, as before with.

AMON AMARTH make it after all these years, As part of its „Corsets“ to reinvent itself, without forgetting their roots. to bring the goal more aggressiveness to the album you've made, Amon Amarth - Loki bust how at the very beginning with the title track of the album, which undoubtedly has its roots in thrash metal has, can hear. Brutal thrash guitars thunder here from the first to the last second of the song. Right after that it goes with the song „As Loke Falls“ more, of a little reminiscent of old IRON MAIDEN title. The other songs on the album have in terms of creativity, aggressiveness, not hide heaviness and melody. „Father Of The Wolf“ is a typical hymn for good „Guardians Of Asgard“-Tradition, which virtually imposes for upcoming live activities. Actually, there is in my view not much to complain about. Only the slightly bulkier, but somewhere Party line „Shape Shifter“ and „Under Siege“ are too predictable in my opinion, but that's it. So the song starts „Blood Eagle“ with a somewhat disturbing recording of a dying man, However, directly after, the band kicks off in the traditional manner. An oppressive double-bass, shredding guitars and the concentrated power of the voice of Johann Hegg dominate this, as well as most of the other songs. Here shines a good deal Slayer By, what the song and the album itself is pretty damn good.

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Amon Amarth "Deceiver Of The Gods" (Official)

As with the previous albums, have Amon Amarth brought reinforcements this time, At „Deceiver Of The Gods“ in the form of the former Candlemass singer Messiah Marcolin. Is heard Marcolin with Hegg on the song „Whole“, which has thus not only a prominent guest vocalist, but purely stylistic clearly stands with his doom metal attitude from the rest of the songs and is blessed with a reef, as it may seem to get nowadays probably only AMON AMARTH. The new sounds act refreshingly and offer the variety, to which one has been waiting all the time. But that was not all: With the last title „Warriors Of The North“ Amon Amarth put something extra. The track just takes times longer than eight minutes and is basically nothing more than a victory song. It covers quite a few facets of Metals from, without losing the reference to the actual topic. But at the same time it also makes it clear, that there will be no change as fast.

ARVE Error:
thats all folks! - Video not available

is to my mind „Deceiver Of The Gods“ the logical development of „twilight of the thundergod“ and to Ehrlich to be, I had not believed it, that Amon Amarth the quality of this work – Because „Twilight…“ one of my absolute all-time favorites – would reach again. The good, but not really outstanding „Surtur Rising“ confirmed this assumption, but this time convict me the Stockholm guys on delusion. The album is a significant evolution of the band, es hiermit gewagt hat, to unite more styles, than they did ever before. The men and yet remain true to one or the other tread new path – mind Path, not eight-lane highway and remain true to their style and sound to the listener with Death Metal, as able to deliver it in this form of perfection only Amon Amarth. The new elements are well placed and you have to say, Amon Amarth DASS not 21 Years of band history always are still wholeheartedly this and every album brings a good job with it. Exactly so and not otherwise want to get served, a new Amon Amarth album. Listen harm under any circumstances.

Track List:

  1. Deceiver Of The Gods
  2. As Loke Falls
  3. Father Of The Wolf
  4. Shapeshifter
  5. Under Siege
  6. Blood Eagle
  7. We Shall Destroy
  8. Whole
  9. Coming Of The Tide
  10. Warriors Of The North

The limited edition will appear in digipak in a high quality bronze box with embossed logo, including separate bonus CD and Poster. The bonus CD contains four new songs, die im Ask the Hard Rock- and metal legends Judas Priest par excellence, Black Sabbath, Motorhead and AC / DC were recorded.

  1. Burning Anvil of Steel
  2. Satan Rising
  3. Snake Eyes
  4. 4. Stand Up to Go Down

Amon Amarth - Deceiver Of The Gods

Album Review: Amon Amarth - Deceiver Of The Gods
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DBD: Deceiver Of The Gods – Amon Amarth

Deceiver Of The Gods - Amon Amarth

The kings of the Viking-Metal Amon Amarth sign up with their ninth studio album „Deceiver Of The Gods“ back and the title track you can listen to here and also download the same. For the production time of the British star-producer Andy Sneap was committed, after the last three albums have been made under the direction of Jens Bogren. The artwork declared the band as follows:

The cover takes the final battle between the gods and Loki on. Loki reaches the field of Vigrid along with his army of the dead and beats the battle at the end of the world, as is known from the Ragnarök-Sage.

Earshakerday: Neuer Running Order

Irgendwie erinnert mich der heutige Wechsel von ursprünglich 3 given on today 2 Bühnen an das Chaos des letztjährigen Sonisphere, which was held at the same place and the running order changed even until the last day…
This change only 2 Bühnen verkürzt selbstverständlich die Spielzeit der Bands recht massiv, e.g.. spielen Amon Amarth statt ursprünglich einer Stunde (16:30 – 17:30), new 45 Minutes and Machine Head have instead 90 Minutes (22:30 – 24:00) only get an hour. Da diese Änderung vermutlich nicht die Letzte sein wird, muss ich mir doch ernsthaft überlegen, if I look at the (again) antun will, denn die Preise für Getränke und Food Been last year unflätig hoch und ich gehe davon aus, that this will not be any different on Saturday. In addition, there is the fun in halls, where one does not Smoking can… well, as well as always, here the new Running Order des Earshakerday:

Mainstage:
12h30 – 13h50 The Treatment
13h10 – 13h40 Unearth
14h00 – 14h30 Sebastian Bach
14h50 – 15h30 Black Stone Cherry
15h50 – 16h30 August Burns Red
16h50 – 17h30 Devil Driver
18h00 – 18h45 Black Label Society
19h15 – 20h00 Amon Amarth
20h30 – 21h20 Children Of Bodom
21h50 – 22h40 Killswitch Engage
23h10 – 24h00 Lamb Of God
00h30 – 01h30 Machine Head

Stage 2:
12h30 – 13h00 I Killed The Promqueen
13h20 – 13h50 Your Demise
14h10 – 14h40 Cancer Bats
15h00 – 15h30 Vale Tudo
15h50 – 16h20 Eyes Set To Kill
16h40 – 17h15 Axe Wound
17h40 – 18h15 Lacuna Coil
18h40 – 19h20 Sick Of It All
19h45 – 20h25 Ugly Kid Joe
20h50 – 21h35 Soulfly
22h00 – 22h45 Paradise Lost
23h10 – 23h55 Skeletonwitch
00h20 – 01h20 Napalm Death

Amon Amarth – The Vikings are back!

The best known representatives of the Wiking-/Pagan-Metal are back with „As I Lay Dying“ in Luggage! Amon Amarth pillage these days crisscrossing Europe and bring her now, just six months old album „Surtur Rising“ among the common people Vikings. Meanwhile, „Amon Amarth“ indeed like winking called the AC / DC of Death Metal and this reputation is no accident. make their Phonograms „Amon Amarth“ no major experiments – Also „Surtur Rising“ is no exception – and the Swedes are live a reliable bank. Accordingly full last Friday was also the „The Docks“ in Lausanne, As „Amon Amarth“ together with „As I Lay Dying“ and „Septic Flesh“ In the Switzerland encamped. and „Amon Amarth“ came, saw, they conquered.

From its humble beginning in days 1992 - as a small underground band from Tumba, a suburb south of Stockholm, Amon Amarth have it through hard work, intense tours and consistently solid albums managed, to establish itself as one of Europe's largest Viking / Pagan Metal Bands. From the beginning, differed from the rest of Amon Amarth genre-like metal bands by, that they used in their texts and their illustrations of Viking mythology. Furthermore, the band possessed an incredible talent for, epic, writing catchy melodies, the barbaric nature of their art underlined.

promptly at 20 AM it was then initially but once all duster and the first opener of the evening, „Septic Flesh“ from the Greek Athens, took the stage. With their epic death metal, which presented very varied, of blast beats joined orchestral parts, and let incorporated elements from the angry growls in clean vocals and quite some Black Metal, could inspire the audience from the start. Sure „Septic Flesh“ already no longer a secret, Finally, they have done this for more than 20 Years the stages uncertain, yet they are expected to this evening in the 30 Minutes of playing time, which were granted to them, have made a bunch of new fans.

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Septic Flesh Live Les Docks Lausanne 11 11 2011

A whole corner are known „As I Lay Dying“, after just quarter-hour break conversion „average“ Band of the night. You could in some public „As I Lay Dying“-Shirts, especially for the younger visitors, make up and with correspondingly large cheering the Americans were then received on the stage. Appropriately enthusiastic went singer Tim Lambert then right at the beginning all the stops, but unfortunately he was not heard! The sound is initially mixed absolutely sucks, the Drumer drowned out everything and the rest was low and especially upgradeable, but from two, slightly better adjusted three plays later, is and remains Instrumentenbrei. damage! Because „As I Lay Dying“ were very playful. Unbelievable how singer Tim Lambert feared while singing while expired the whole stage. The rest of the band harmonized great and was able to move the entire audience toe-tapping. The high-profile setlist did the rest, also to convince the last doubters and after a strong „Condemned“ and „Nothing left“, which were loudly mitgegrölt, could then be „Defined“ die Wall of Death klappen. Then, as the Californians with „94 hours“ their set was finished, after they let a good impression, if only the sound tech would have had his job under control…

Nails
Amon Amarth Live Les Docks Lausanne 11 11 2011

Then came the, because of which the Les Docks since mid-October was sold out. Again the lights went out, this time for a little more than half-hour break conversion, then it's really going on but. „Amon Amarth“-Cries echoing through the hall, the blond Death Vikings come to thunderous applause on stage, as once the Northmen home after their long journeys. The decorated in the style of the new album stage under a huge „Surtur Rising“ Back banners with the purple light glowing flaming sword. In keeping with the new plant, the northerners started then their set with „War of the Gods“ and showed to her fans from the start, where Thor's hammer hangs. Further 90 Minutes, the „Amon Amarth“ should play this evening, offered a lively choice across the work of the sympathetic Vikings and, above all, always again a: A large amount of fun. There are few bands, the manage, so down to earth, personable and nice to come over as these gentlemen. Especially singer Johan Hegg always managed, New to incite the audience and stood frequently from ear to ear grin and hand on the selfsame edge of the stage, to catch more and louder applause. And who would deny him this already?

Nails
Amon Amarth - War Of The Gods @ Les Docks Lausanne, 11.11.11

The Swedes to frontman Johan Hegg had sympathy points-moderately the highlight of the evening, due to the ease nice way, to talk with the audience. the „Viking“, which is also not involved in the „French Fork“ savings and left little to calm the audience, interrupted the thrashing again and again with spontaneous announcements and witty commentary, off steadily declining battle cries to the songs. The Sweden sat next to rather sparse stage decoration mainly on one - Volume! From the first to the last minute drowned „Amon Amarth“ everything, what is would have wanted to be heard in the room. At the setlist of Sweden there was that night in any case nor to shake as on their stage presence. One hit followed another, right at the beginning was „Destroyer of the Universe“ rausgehauen, shortly thereafter „The Pursuit of Vikings“. Time to breathe as little remained. You could almost taste the sweat and adrenaline in the air.

To look gorgeous and probably even more reason to show initiative was the energy, who laid the men on stage themselves have. From front to rear was feared, requiring one to be simply plugged. One should note, anyway, that the mood is all evening fanatically. At every opportunity, fists and fries forks are extended. No Friends, Children's birthday parties look different. After the powerful „Death in Fire“ Once should be concluded, began the audience clamoring to bawl for encores. This desire could „Amon Amarth“ Of course not deny their fans and the first sounds of the ensuing „Twilight of the Thunder Gods“ put an immediate jubilation and the hall was closed with.

Nails
Twilight Of The Thunder God_Amon Amarth_11.11.11 Les Docks

One last time, you could „Amon Amarth“ and partying loudly resounded „We are guardians, Guardians of Asgaard“! In thunderous applause and a number of addition-Call the Swedes then left the stage final. An experience for the ears! A memorable evening in every way! Songs of „Surtur Rising“ came here to just as good as the older stuff, But „Amon Amarth“ would probably 70 can covers minutes ABBA, people would still freaked. Clearly a damn good metal show. „Amon Amarth“ were, are live and remain a force. Come back soon, you Viking!

Setlist of this evening was:

  1. War of the Gods
  2. Runes to My Memory
  3. Destroyer of the Universe
  4. Live Without Regrets
  5. The Pursuit of Vikings
  6. For Victory or Death
  7. Varyags of Miklagaard
  8. Slaves of Fear
  9. Ride For Vengeance
  10. A Beast Am I
  11. Embrace of the Endless Ocean
  12. Free Will Sacrifice
  13. Asator
  14. Death in Fire
  15. Encore:

  16. Twilight of the Thunder God
  17. Guardians of Asgaard

Following a backstage Video the men to the start of the tour in Stuttgart:

Nails
First Show
Amon Amarth - The Vikings are back!
8 Total
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the atmosphere10
Performance10
Acoustics7
visibility9
Vor-Ort-Service8
Sanitary installations6
Parking situation6
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