Finally they fly again! At the 23. September with „Goofy was said to live longer“ the new album by Fun-punk band „Abstürzende pigeons“ appeared. Fun-Punk? In the strict and orthodox punks the term was then more than frowned upon. Even Michael „Olga“ Algar, Singer of Toy Dolls, apply internationally as the inventor of the genre, rejects the concept until today. The crashes ends pigeons contrast, the Mirco „Micro“ Bogumil 1983 founded together with Konrad Kittner, wore the name with pride. A response received the pigeons at the very beginning of their careers to hear: „You guys are no punks!“ From the rigors and Orthodox. To Whom, the understanding of real freedom little…
It was the „Fun“ of crashes ends pigeons in my view, the real liberation, the air we breathe, the impish grin at clenched fist, the flower in the buttonhole to studded belt and red laced boots. They always played fast, grip and stage diving and fraternity on stage without grid and shut themselves in larger events they used earlier than most. The music industry opened and denied them simultaneously. As them in the nineties around albums like „Under the Sign of Blöden“ and „The last shuts the door“ obeyed even chart success and BRAVO stories, they wrote with „EMI“ a parody of their record company and made it almost, to smuggle the song unnoticed on the album. „The plate was practically in pressure“, says Micro, „only sometime someone has the tape actually belongs times until the end.“ The single of the album consists mostly of original Call on Conrad AB. In Hape Kerkeling's film „Kein Pardon“ they play Wiring Aids. The tours through the new federal states newly pushed-after reunification with the FRG were to „Self defense tours“ by occupied by aggressive fascists area. One Day travel them 150 Neo-Nazi hooligans after even by train.
Abstürzende pigeons - Never again Pegida
About 25 Years later it looks in some parts of eastern Germany again as it did. Since it is only logical, that the pigeons as the first single of the new album a catchy tune called „Never again Pegida“ unpacking. 1997 was – except for two small Reunionkonzerte 2002 – dissolved the band. 2006 Micro had his best friend and fellow Konrad with only 44 bury years after cardiac arrest. stands on Conrad's grave stone „Peace and circuses“, an evocative blend of the Roman „Bread and Circuses“ and the 1993's album title of band, „War and Games“. An attitude, the Micros new and current colleagues Olli has absorbed his life as a fan of the band, until he 2013 finally himself was a member. „It has long used Calls, until we shared a Music could make, which really sounds again like doves“, says Micro, „But it worked.“ Now everything will be done so as before: recorded in their own studio, produces itself, toured the dangerous Eastern. „Most have advised us: Power merely no new album, playing the old stuff. That's enough.“ to heard „Goofy was said to live longer“ one can exclaim with a big grin on his face: Thank you, Micro and Olli! Thank you, that you did not hear it,! Because DAS, dear critic, Operators and journalists, her this text here just read, THIS is the air we breathe, the punk needs and makes you feel, to be alive! Neither interminable manifestos nor profane Suffschlager, but the essence of a lot of enthusiasm and the few clear boundaries, the one shall work for a dignified life obstructive. against fascists. counter surveillance. against Frühvergreisung. For freedom, for pleasure, for life, in the time it simply shits! The Strict and Orthodox? Sitting today a home, in parties or built. Because they have never understood, that the best breaks his chains by simple measures.
I liked the Punk Pathetique the two already always, because it was the Antipol to deadly serious riot Punk the Strict and Orthodox. The pigeons were simply refreshing and you could easily make only party. Now they're back – and the classic pigeon vibes are good to hear again. 16 Songs, slightly more than half an hour, perfect! More must also not be. Well produced and a cover in the style of old records. Perfect! One can easily recognize, Who here is on works - just in opener „Horror Part 3“. Here one feels immediately in the 80s or early 90s set back. Sure are a few things rather flat-funny and silly - but they are just. And clearly there is still also serious issues. The pigeons have always clearly positioned against the right and they need due to the AFD and consorts now unfortunately again. And the rest of the songs is without of course have quite entertaining draft, but that was anyway always the core competence of the two. Funny to silly, but always emulate fast and fresh go without hurt. On the concerts, since the deaf 2013 play again, experienced Micro, how much has their kind of punk actually causes. „Because people come from the former East Zone, who say: You have saved our lives.“ Or cabinets, „three years jail under his belt, tattooed, Rings in face“, take Micro in the arm and say: „You were as Boy for me is the great.“ Great for all the young people of today, which can make this experience now again from scratch with the pigeons. Konrad would be proud of this, O kings of Punk Pathetique!
The horror part 3
Never again Pegida
No Future was yesterday
The roadie job is not as easy as one might think
The flowers are for you Mr. Police Officer
You know what you want me times can
In the garden are murderers
The pigeons come
Album Review: Abstürzende pigeons - Goofy was said to live longer
With his new album „The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser“ Rob ties Zombie to old strengths to. Rob Zombie was once very highly regarded, at least for me, because „Hellbilly Deluxe“ was then in 1998 just great. Then me unfortunately has no album of the wild-Industrial Schaffer's more really cast a spell. Away from his Music he could me as a director always always convince again, which probably meant, I have always followed his creative goings. Although the Conclusion, that his music for me slipped something into irrelevance. With „The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser“ or short „TEWAWSOCD“ He is also musically fully on the trigger and shows, what his moves, so!
Each album since „Hellbilly Deluxe“ was always one or the other song contained, was really good, But at these times or even on albums by White Zombie unfortunately the master was no longer able to tie. With „TEWAWSOCD“ but was not expected, because that Rob Zombie shows all unbelievers the finger and missed them such a blow, from which you will not recover as quickly. „The Last Of The Demons Defeated“ is a 90-second introduction, makes clear, what Zombie wants to express with his work. Heavy Guitars, freaky, creepy sounds and the high Art of Industrial are difficult to make and immediately clear, Rob Zombie has not his paths leave. The Horror was the man known never averse and what with the second song „Satanic Cyanide! The Killer Rocks On!“ disclosed, is a horror film in the best sense. So behave the song also like to start, so oppressive and morbid it evolves over its entire term. The Balance between tangled sounds, Zombies haunting vocals and brutal noise walls fascinated. In the 2:58 Minutes conjures Zombie also gentle elements out of the hat, which integrate perfectly into the otherwise so rude songs.
„The Life And Times Of A Teenage Rock God“ however, only the target has to shock. One feels oppressed, threatened and looks downright evil face. Certain parallels Rammstein and their hit album „nostalgia“ are not to be dismissed out of hand, Plagiarism but certainly not rise. „Well, Everybody’s Fucking In A U.F.O.“ we have already heard as first single and so skeptical I was then the opposite number, as well as I understand now this song. It represents the album masterfully and in the overall context it acts as a best choice for a single. „A Hearse Overturns With The Coffin Bursting Open“ represents a Interlude, which leaves time to breathe. The instrumental track seems almost fragile in the ranks of the songs on this album. If Zombie accesses an acoustic guitar and is fragile, you have to ask the question, whether behind the Roughneck maybe a little romantic infected. With „The Hideous Exhibtions Of A Dedicated Gore Whore“ celebrates one the free movement of words. Who needs tutoring, regarding objectionable vocabulary, can here his free hour pick up and this accompanied with a Hammond organ! „Medication For The Melancholy“ then whipped back to the front and shows the determination of his work, „Get Your Boots On! That's The End Of Rock And Roll“ has already character and Party „Super-Doom-Hex-Gloom Part One“ reveals itself as the most compact Song of total 12 Track strong album. But Doom can implement Rob Zombie, as „Wurdalak“ shows. Where bare destruction and boundless chaos, because this man feels at home.
Rob Zombie - Well, Everybody's Fucking In A U.F.O. (Explicit) (Lyric Video)
meet Punchy guitars pounding drums, Mickey Mouse goes well with Gregorian chants („Satanic Cyanide“), Electronica-inserts do not bite with acoustic guitars, Moshpit on the dance floor and again loosen lyrical passages the rock storm on. The ups and downs deliberately generated, the electronic underpainting and compelling head of the project make this album a masterpiece, which can take the fight to the last very successful studio album without problems! „The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser“ is a fascinating work, granted which insights into the brain of Rob Zombie. Genius and madness go usually accompanied, ie it so beautiful and one can only connect to this crude and oblique musical odyssey. Where other bands and musicians lose the end of a groove carrier often quality, I can only say, that particular 2. Half of the work is devilishly good. An album, which is among the best of this man, if not representing his best work.
The Last Of The Demons Defeated
Satanic Cyanide! The Killer Rocks On!
The Life And Times Of A Teenage Rock God
Well, Everybody’s Fucking In A U.F.O.
A Hearse Overturns With The Coffin Bursting Open
The Hideous Exhibitions Of A Dedicated Gore Whore
Medication For The Melancholy
In The Age Of The Consecrated Vampire We All Get High
Super-Doom-Hex-Gloom Part One
In The Bone Pile
Get Your Boots On! That’s The End Of Rock And Roll
Album Review: Rob Zombie - The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser
The Doom Metallers „Phased“ rock for nearly a decade, the stages of the world. The trio from the beautiful Basel Switzerland, originally founded as a stoner rock band, brings after a creative hiatus her already fourth album „Aeon“ on the market. So the three musicians have turned the screw and the sound known Doom freshened a little. A logical development, Psychedelic Doom, is the name of the band's sound and characterizes the new album.
Imports coming from Basel „Phased“ has made in the course of her career with many live performances in the Doom scene a name. Through countless shows, with appearances at „Stoned From The Underground“, „Up In Smoke“, the „Doom Shall Rise“-Festival and support slots with genre greats such as Orange Goblin, Mastodon and Spirit Caravan, the Swiss were able to say also on the live front and their Music presenting to a broad audience. Once established as a Stoner band, stand Phased nowadays for psychedelic Doom, leaden, hard and yet groovy, „Motor Doom“ as they call their music. After several formations emerged predecessor „Phased“ in its present form in the year 2001. Six years after their last studio album, the band now releases the new and fourth album. The seven tracks of deep tuned guitars, sluggish rhythms and subtly menacing vocals were 2014 by Chris Sigdell, Marko Lehtinen and Michael Greilinger (Gastmusiker am Bass) bei Helium Records included in Basel, mixed by Richard Whittaker in London and mastered by Greg Chandler in Birmingham.
With „Seed of Misery“ and a catchy riff opens the boys album. A fat Doomer, the immediately brought roars the right mood and unequivocally shows, where the heavy "Hammer of Doom" depends. Slow and with sounddienlichem vocals, convinced the solid material, so you can speak without hesitation of a successful debut, also, when the composition has a bit long-winded. The song fits well on a, what you get to hear the rest of the album. If you come in the third track „Eternal Sleep“ an, one wonders at half the songs inevitably, why the track is quieter. Insert This stylistic device which phased, to refresh the songs, can sometimes irritate some, but if you're getting into it,, this is quite refreshing. Strikingly, that besides the rooted in Doom elements, which are really heard everywhere, an associated fraction was processed at Space rock influences.
With „Into the Gravity Well“ then the trio goes into the really fucking deep worlds of Funeral Doom. Plunging one can not descend into the catacombs of the Doom Metal, without self-set goals to lose sight. Now that's not meant negatively, Rather, this description is intended to make clear sound, Phased quite fathom that limits. The following songs are timeless Doom songs, which as already mentioned, always Attending again and again with spacey psychedelic influences. Unfortunately, occurs here in time the dreaded disease in Slow Motion, which one with a little more ingenuity and the resulting change, better in the right perspective could back. Atavism called a regression in the evolution and nothing could be more appropriate here, because the bouncer „The atavistic“ seems to be guided by the Stoner-past of the band. One of the most innovative tracks on the album, but according to the booklet, the only song, of the non- „Phased“ itself was written.
„Aeon“ is a Doom Album, which can can be heard more than once and has failed soundwise desired brachial. Doom meets Psychedelic! Speed in Doom Metal is known to be as good as non-existent and so set „Phased“ its sluggish march continued through eschatological psychedelic forests, with abysmal guitars and rhythmic arrangements. What the trio missing something is the kick, that certain something, which should not be missed in Sludge and Doom. For predictable are the tracks and somehow there is a lack of „Suspense“, the eventually comes to a climax and wanting more. Seven Tracks, which have ultimately on an enormous amount of potential, but unfortunately not fully savored. „Phased“ put the bar high, but considering Genre giants easy nor too little high, there's more in it! And yet, „Aeon“ is a good album! Who Psychedelic Doom like, will discover many striking passages and finally hang a contented engine Doom face. Thumbs up!
The Finnish punk rockers „The Backstabbers“ have recently released their EP „High Speed Rock’n’Roll“ published and it goes like Schmitz cat from. Who bands like Ramones, Peter Pan Speedrock, The Hellacopters, Chrome Division, The Cumshots, AC / DC and Motörhead is, should definitely consider this EP purely. The guys from „The Backstabbers“ leave it on this EP explosive fun and show us, that there are really good offspring even when Punk Rock!
„The Backstabbers“ were in 2013 Founded in the heart of Lapland in Finland and consists of the Jesperi Mommo (Guitar/Vocals), Aleksi Titmouse (Drums) und Scrooge Tapio (Bass). Their sound is based on the early 80s and sizes as Peter Pan Speedrock, Ramones, The Clash and Metal-Bands like Motörhead or AC / DC and goes off like a suppository! The boys collect with their sound no claim to originality, but move, Considering how young the band, with much fanfare on to, to conquer the throne of punk rock.
The Backstabbers - THUNDERTRAIN
The trio has been 2 EPs and a single published and in the last two years 50 Played shows in Finland. Im September 2015 the band moved from the vast lands of Lapland, specifically from Rovaniemi to Helsinki, the capital of Finland, To bring things better ball rolling. And because they are on the right track, because the present EP convinced from A to Z.
This great EP contains four tracks with strong energiegelande, gruff vocals, supported by punchy basslines, hard drums and guitar riffs make just huge fun. Does not need old school punk rock of its competition to fear. Here you will be tackled head on and shaken so right, because the feet begin automatically batting.
The Backstabbers - THIS TOWN
When listening to this EP the young fan assumes inevitable air guitar in his hand and rocking neatly from front of his home speakers, while the slightly older listeners can not move away from his chair, because this was immediately surrounded by imaginary drum kit. Hart pump ends Bass, Drums, the chase forward and guitar work, the audible and lacking a rushing into the ear so right. The EP is full of fat guitar riffs and Dirty Rock'n'Roll in Up Tempo.
„The Backstabbers“ Slapping us „High Speed Rock’n’Roll“ a loud, violent, brachiales, fast and entertaining piece Music around the ears. Just great what can drain the trio for a steam with their musical instruments. This proves once again more, that requires no more than three actors, in order to provide a good album on the legs. Here you can feel downright joy and the sound is hot, loud, dirty, sweaty and the four tracks blow the dried ears of each Punkrockers free.
Ain’t Going Home
One For The Road
Album Review: The Backstabbers - High Speed Rock'n'Roll
On „Seraphim“ If it is according to the Bible to a higher angel race. Als Seraphim, the word means in Hebrew „The Burning“, be fiery, sechsflügelige Engel, hover around the throne of God and continually „Holy, holy, holy“ call, designated. At the same time „Seraphim“ the title of the end of August published debut of German black / death Metal-Duos „New Listing„, consisting of Sarghas and Nordmann, which incidentally still together at Nelandhir, Immorior and Yarr are active. „New Listing“ treading new paths no, But what we have here, is an album, the many groups would be only too happy unravel in this genre itself. No perfect album, but alone is recommended due to its wealth of variety very!
In the present work of „New Listing“ Is it a concept album. The Seraphim accuses, the people are made despite their lower instincts and selfish actions after the end of her life in the kingdom of heaven on his peers. God sends him straight to hell to the „Humanity“ to see, to experience and to learn. From the beginning, you will be part of the story of Seraphim and the steps extend from the first to the last chapter gradually toward the absolute darkness and despair, guided by pain and hate. The band „New Listing“ consists of Sarghas, what specifically contributes lyrics and vocals and Nordmann, the ideal in programming, Mix and mastering familiar and both are equally responsible for instruments and composition.
The album contains nine songs with a total playing time of around 38 Minutes. The cover of the debut album is kept in an expressionistic black and white, bringing oppressive, ominous pictures with it, the best fit to the basic atmosphere of the album. The German texts were written by Sarghas and are put up by him. Depending on the section and position of the protagonists vary the voice and the song can be found only words of praise, because this is all just perfect in the Lyrics immerse. but this it needs already a certain attention and especially also time, to let act to the whole album to be. If you do not bring both, dedicates itself to equal better something else.
New Listing - In Flames rain
The sound is consistently good and the instruments properly mixed. Musically the album is based on blast beats and melodic riffs, which would have fitted together with the vocals on a folk metal album. The singer vocally As mentioned changes often between screams and growls and often, especially in the chorus comes clean vocals used. Although the songs have a most significant playing time, you will not weary them always back to listen again, because you always discover something new, which is a previously not noticed. There is no time such a thing as monotony or even boredom. The instrumental work of two men fits absolutely great for the theme of the album. On „Seraphim“ the listener is a lot on offer, of furious, fies schreddernd, melodic heights up to quiet between tunes is anything with it.
There is therefore a lot of variety on offer, by variations in the speed and the hardness of the Music, and the use of keyboards created a varied sound spectrum, the the epic melodies („Caught in eternity“) over slightly progressive songs („In false freedom“) to aggressive demolition („Son of hatred“) enough. But the drums at „In false freedom“ sweeps a the beetles out of the room and absolutely great and a check out tip my one is the song „Acheron“, because this skin a smooth off the turnip!
New Listing - Acheron [Music Video]
„Seraphim“ lost even after several runs of anything in intensity or atmosphere. No title sounds like another and the shekel is a very decent debut, that you can listen to quite often, comes without the boredom. Just to get the texts of „New Listing“ speak to come to, you should really take the time for this, for since I came to terms ears, I did not know until now. It was said to look up while you also learn something on top. Man merkt, that was not just carelessly hingerotzt with this album something, but much emphasis is placed on detail. „Seraphim“ is a thoroughly enjoyable Black / Death Metal album and the way through hell would underlaid musical, it is considered that with „Seraphim“ the soundtrack in hands.
M.H.X’s Chronicles are a quartet from São Paulo, which this year his debut album „Infinite Ocean“ published. The band's sound can be described as epic designed Melodic Death Metal describe. Lyrically and musically, it is a lot about Travel and longings. The album has a particularly intense atmosphere with samples of ocean waves, brief elegant string passages, dreamy piano melodies, progressive keyboard passages, technically oriented and yet powerful riffs, playful rhythm sections, powerful clean vocals and growls unleashed. Both progressive sophisticates and genre fans will get their money.
São Paulo is a good breeding ground for the Metal, over the years have made it in the underground a lot of bands in this Brazilian land to gain a foothold in the Metal universe. Many have disappeared, now stands with the band name MHX's Chronicles, a band in the starting blocks, which the Melodic Death Metal have really good mood! The quartet consisting of H Murillo. Xavier (Vocals & Guitar), Raphael Carvalho (Drums), Michel Oliveira (Guitar) and Wallace Ribeiro (Bass) it has technically good mood, quite harmonious, Scandinavian roots, with urtypischen Brasil Groove Thrash oriented to mate Attitude. Until now, I was named „M.H.X’s Chronicles“ not really start what, because this Brazilian Melodic death metallers have only brought out an EP, which I could find with the best will in nowhere. So is the debut "Infinite Ocean" Thus the baptism of fire and this will not be well with other metal fanatics otherwise.
M.H.X's Chronicles - The Way Home (Lyric Video)
Riffs, Verses and choruses sound like mentioned very nordic not to say finnish and are actually so nothing special, but due to the freshness and the burgeoning Groove the guys have prepared a mixture, with which they certainly create a huge hurricane. „Dark Tranquility“, „In Flames“ and his associates may have stood as a drawing board pattern here Pate. Once again, that sounds reasonable imitation, now not really, because the autonomy with which one can score excellent here is the final, which have conjured up here Brazilians. The dark melody and mix up the always again aufbauschende Groove flair are just a not-looking by hand Detail, which heaves the boys forward. Intense brutality and a good grip in the Melodic box are very agreeable of art, if the same you have to bring a lot more autonomy to happen in the future. For a debut the skin quite off the stool, But in this tough business, and for the further continuation of it then needs a little more.
In total there are „M.H.X’s Chronicles“ good Melodic death metallers, with racy mix and you should take your time in the entire album to enjoy it fully immerse order. Who really does not have the time and leisure to, I recommend as Anspieltipps especially the songs „At the End“, „Outcry“ and „A Winter Song“. For the further progress is needed then surely a bit more momentum, this needs to be expanded more easily, then be open to the guys from São Paulo doors and gates. Fans of bands like „Soilwork“, „Axegressor“, „Nightmare“, „In Flames“, „Dark Tranquillity“ and all congeners can not go wrong here and overall sounds „Infinite Ocean“ very entertaining.
02 - Conquest Of The Oceans - M.H.X's Chronicles (Infinite Ocean)
The debut album „Love in Black“ from „Child Of Caesar“ rotates with his deep tuned guitars and dark melodies time back there, as Gothic Rock had its heyday. It may not quite believe it, that this band largely comes from Germany. The style is Goth Rock /Metal with elements of dark metal genre. Influences of bands like „Sister of Mercy“, „Tiamat“, „Paradise Lost“, but also German Goth Metal icons such as „Darkseed“ or „Scream Silence“ are undeniable. On „Love in Black“ Daniel Mitchell accepts the Vovals and lies rather in the alternative because the correct dark sector, but fits. Anyone who has heard at the time the late 90s early 00s Gothic Metal / Rock, will have on this disc his joy.
The Children Caesar heard on the name André Marcussen (Rhythm Guitar), Christopher F. Cashiers (Bass & Lead Guitar) and Dino Cadavian (Drums), for singing Daniel Mitchell shows the U.S.. Metal Band „Autumn Eyes“ responsible, not a bad grip, is here succeeded, because it fits well with the vocal genre – and yet is a bit strange. The gothic rock band comes across with a very sombre passion and similar to their models the songwriting is designed dark and gloomy. On the one hand there are the texts, the act of dark themes - a great fascination for everything morbid, Death or emptiness is not to deny. On the other hand, we have the implementation of these texts and moods in the Music. This means, in effect, many eerily beautiful melodies, sometimes very slow and supporting, then stressed again very strongly with bass and riffs. The sad howling lead guitar sets the tone. Keyboard- Programming and also do not miss out and are eerie mood makers as needed. The polyphonic choir backing vocals and inserts round out the many beautiful songs from.
Child of Caesar - Love in Black
The sound effects, the sound when listening to the opener Defector, könnten auch die Posaunen der Apokalypse sein. Actually it concerns with the opening bars only by a fine, gloomy keyboard playing, that one should prepare for a wall full of punchy Gothic Rock. Consistent with organ sounds and the dark spherical Keyboards, the band plays exciting and uncompromising Gothic Metal. Even the voice of frontman Daniel Mitchell ensures shudder and with the gloomy, angry guitars, Stormy Drums, the mystical keyboards and punchy bass is the perfect Gothic Show. „Defector“ have „Child Of Caesar“ with much dear built to detail and yet a simple structure. Who believes now, if it were in the Gothic rockers to one of these endlessly copied cliché Gothics, is mistaken. In a black scene, in the always again the same slurry is a thousand times and reheated nachgekocht, comes finally a breath of fresh air on a cloudy autumn day and shows, that there is another way!
The entry to „Red Sun“ carried melancholic harmony. First acoustically, the song turns quickly with mid-tempo drums and accelerates. That certain something to give here the simple, spherical Keyboards, the all even more magical, make depressing. Here Axe Man Christopher plays a brilliant guitar solo. The chorus is implemented fabulous and burns itself into memory. The mid-tempo track is certainly a punchy, geniales Gothic Metal Gewitter, that his energy fully deployed in a loud thunder and the bill is definitely on. Open the gates of the brilliant Gothic Metal „Child Of Caesar“ titled „Gates“. As before, Is there food in midtempo song with gloomy keyboards, Guitars and basses, the punchier could not be. This may also be less more, is thus proved, because the refrain the electric piano definitely still put the finishing touches. Toward the end, there is also in this glorious Gruftiemetalhymne again the obligatory guitar solo, this time accompanied by piano. One thing is certain, „Child Of Caesar“ understand it, melodic, Write anthemic choruses to, often have the catchy.
Child of Caesar - Red Sun
„Nero“ is very melodic in his lead guitar. The rhythm guitars and bass lines, but kept relatively simple. Worth listening, but is probably the song, because you skippt more times. Since the asset supported by piano music guitar solos really does not help. The keyboard playing can one in the first seconds of „Long Live The Night“ hairs stand on end. It sounds like the pure Horror and the melody is simple eerily beautiful. This tune also constitutes the leading element in the chorus. Bass and guitar(n) are re-directed towards starkbrüstig fear. „Lost Sacrifice“ leaves the listener people think of a war movie, Marching drums, Sounds like an old radio ... you know what I mean, before the sound fully stereo and with full force since. The drum sounds initially remain the same, until it goes again with concentrated energetic Gothic Rock. Lyrically, this involves the hypocrisy of Christianity, or the church itself. A strong song, the again proves its strength mainly in the chorus here. On Speed, is the music of „Child Of Caesar“ definitely not designed, though here and there, here are the double bass is used: The songs are almost entirely in the mid-tempo. But speed is something, was „Child Of Caesar“ also does not need. The band plays imaginative Goth and their singer moved with his voice the listener into his spell.
On „You“ there again melodic lead guitars, as they could not be more melancholy. The entire band mixes again the best at a quite Rockbaren song together. String sounds on return „At Heart“ back, the soft cling at the piano playing. This applies symphonic, magical loveliness brutally hardness and of course again as it should be this: beautiful bleak! Again, the whole thing is right again. The rocking 3-chord guitar riffs, but could be a bit more varied here. However, this is countered immediately, changes as the clock and once again resound best guitar solo must. As always, the rear part of the song, fast but after this short trip, back to the temperate, dark paths returns, before he silenced. The title track „Love In Black“ coming next in the series, and here comes the concentrated power of „Child Of Caesar“ out of the speakers and the listener's ears. The focus is on this song more on the anthemic vocals, and the musicians playing their instruments determined in its purity and so also scores „Love In Black“ fully. „Worlds Without Skies“ is the last track of the album and boasts a beautiful piano melodies, the beginning and in the middle, form a powerful element. The lightweight keyboards give the guitars and punchy bass and the singer a Gesamtkunstwerk.
Child Of course Caesar invent the wheel not, but they do their thing on the debut album just really good and rock to dwell very earthy and dirty. A majority of the songs is a great ear and will not be bored even after repeated listening. Two, Although three less good songs are attending, but this one has mostly. Anyway, I'm surprised by „Love in Black“, the at times, where comparatively little good albums in the Gothic Metal area appear, a thick exclamation mark sets. Sure sometimes the riffs and arrangements are relatively simple and the melodic part, lies by „Child Of Caesar“ often in song, and in the keyboards and the occasional lead guitar in the band, yet provides all around darkly slow-spooktacular Goth Metal from Germany. Fans of the Sisters or Tiammat be sure to listen to the, because here you can hear quite clearly the style of the 90's out there and find something, was man ev. has beautiful long no longer belongs in this way. More of it, Anyway, I get pleasure, also once again listening to older discs…
„The Other“ do not apply without reason as one of the most popular bands of the Horror-Punks in Europa. The mix of Punk, Horror and Goth fans is harder Music Yes since the Misfits or Danzig in the ears. To mix punk music with sounds of other subgenres and with a (Horror-)To garnish Image is flat per se times not a bad recipe. The competition is similar to acting „The Other“ rarely high ahead and yet you have to soberly notice: For the great career it was enough „The Other“ yet. After the last disc and the withdrawal of some band members, is still life in the old corpse. In a horror movie series in the sixth part is mostly the air out or they would have to reinvent. But movies are no plates.
Whole three years have passed since the publication of the last „The Other“ Albums „The Devils You Know“ went into the country. A time, in which the cast carousel turned so violently, that the band a while practically only of singer Rod Usher and drummer Dr. Caligari Bestand. But with Pat Laveau (Guitar), Ben Crowe (Guitar) and Aaron Torn (Bass) one has found adequate replacement and has even grown by the Quartet to Quintet. With this lineup, the group released now with „Fear Itself“ their sixth album. But despite the occupation change the really big surprises in contained herein remain 14 Tracks from. You heard, Now that two guitarists are at the start, but otherwise are located „The Other“ remained faithful. The troops from NRW has now been 2002 traveling and despite constantly changing musicians, especially bassist, has not suffered their music.
The Cologne horror punk band is no longer an integral part of the German scene, but you should at „The Other“ do not take the word punk too literally, because the sound is stylistically more on Metal oriented. So on „Fear Itself“, that again by Waldemar Sorychta (Grip Inc., Tiamat, Moonspell) was produced, already on „The Devils You Know“ Directed by and for „New Blood“ (2010) the final sound mix designed. Reliance on the new album „The Other“ again on a broad base of different style elements. What the record company as in its letter Promo „traditional Metal Opener“ is designated „No more“. And exactly this song makes it clear, what difficulties „The Other“ will have the Durchschnittsfan well, because this song is a primarily „German Punk“ to understand, has nothing to do with the rest of the album. Me personally disturbs the musical wealth of variety in no way, Critics might keep this wide range of stylistic elements but for a lack of orientation.
The Other - Dreaming of the Devil (official video)
The record company sees, for example, elements of „Thin Lizzy“, „Iron Maiden“, but also „The Cult“ and „Danzig“. And then there's just been the punk and in my opinion a shot „The Visiom Bleak“, which is probably due to the orientation of the gloomy topic. All in all, not bad, but unusual and possibly somewhat unpredictable. Right after the intro blares the addressed „No more“ from the speakers, in which for the first time dare to Cologne it, to present the opener in German. Just after the „Unholy-Häme“, they for the song „Eternity“ suffered their last record, This was a courageous step. „The Other“ provide here a veritable punk track, both the fans „Toten Hosen“ as well as the „Böhsen Onkelz“ will celebrate. The rage of the 80s penetrates from the line, manifested in the riffs of the guitars and the furious beats of the drums. Big movies at the beginning.
Then begins the descent into the darker realms. „Bloodsucker“ is one of the most expressive songs. Inspired by 12 Claudia years of Anne Rice „Interview with a Vampire“ playing the track with the fact, that not immortality always is desirable. Who wants to remain always twelve? It is similar to the following „Black Sails Against A Midnight Sky“ and „Dreaming Of The Devil“ to. At „Black Sails Against A Midnight Sky“ convince the guitar melodies, but I can not really abgewinnen something and the chorus like only moderately singing Usher. Perhaps the schema, after the pieces are written, a little too predictable, or lacked the very large, bright idea. The chorus to „Dreaming Of The Devil“ ie it then „Dreaming, dreaming of the devil / You know it’s gonna be alright“, what seems somehow half-baked. In itself a nice up-tempo number, which will make good on the dance floor.
„Doll Island – Island of the Dolls“ I find rather interesting, because „Island of the Dolls“ is an island in the channels prior to Mexico City, on which – to match the name – hanging hundreds of mutilated toy dolls in the trees. The story behind these dolls, that they were hung on the island to drive away the ghost of a drowned girl near the island. But back to the music, because this is well done on the sixth title. The song begins with a quiet Part, the most part of Bass and rare, slightly distorted guitars supported, Usher during the story of the drowned girl with half geflüstertem singing initiates. Then the title goes to a classic Heavy Metal Part, followed by shallow, successful melodies. Hammer Komposition! When a horror punk band with the atrocities of World War II dealing, takes a look at the current situation together and count one and one, then a song comes as „German Fear“ out. When groups such as the Pegida you look at, one recognizes, how terrible is currently the subject still. „German Angst“ is a leaden metal number, the right Bock makes.
The Other - No more (Lyric Video)
The second half of the album is basically a balancing act between mediocrity and upper class, as well as between metal and punk. While here really good songs like „In The Dark“ and „Screams In The Black House“ with this, sounds „Funeral March“ something too flashy for the title, although the vocals from Usher you might think, that Iggy Popund Billy Idol in der Strophe mit im Raum stehen. In „The Price You Pay“ there is one of the best „The Other“-To hear choruses of all time. The vocals sound great and instrumental one has varied melodies, changing rhythms and great ideas in store. At „Rise“ then comes the punk again more to train and sprayed content and visually Horror- and B-Movie-Aesthetics. Completed the album is the dramaturgical „Mephisto“, a very big hit, which is chosen as a great bouncer, because he makes Bock, reinzuhorchen again. Full removed recalls the „Mephisto“-Riff an „Subway to Sally“, although not at their eponymous song. The chorus, to excel in its simplicity hardly, Rods bleak, langgezogenes „Mephisto“ with the cold, almost metallic acting line „Call my name“ becomes a suspenseful whole, that can be implemented very well live.
„Fear Itself“ is a great album, that hide in no way behind its predecessor has. Because after the last album half of the band members are drawn away to new regions, was clear, that „Fear Itself“ would sound different. Just by the second guitar sound now comes with even more voluminous and therefore pressure. This can be seen especially on songs like „Funeral March“, with its strong bass track, is fanned out beautifully by the two guitars. Thanks Pat Laveau and Ben Crowe to Sechssaitern and Aaron Torn on bass and the powerful blows of Doc Caligari will start the bouncer Mephisto with incredible force, which would not have been possible before. Hopefully, the five guys for a while remain together, because cooperation can lechzen on future boards. The tape shows, there is nothing to fear but fear itself. They in any case go fearlessly their way and can not slow down even the departure of band members. A little fresh air seems to have the band on the contrary, even well done. A few small surprises would „Fear Itself“ possibly can still tolerate, but „The Other“ Stay true to yourself and thereby. The 80s Punk Rock- Rock-, Horror mix runs through the whole album. In addition to a well dosed dash of salt are found indeed a well or two hairs in the soup, but they are to get over – the bottom line makes the wheel fun, Rods voice is still beautiful to listen, recorded the tracks with a lot of verve and good atmosphere. Overall, there are many beautiful, small experiments, which enrich the album, without the thread to cut. Who „The Other“ additions already found good, is also „Fear Itself“ be satisfied. For a recommendation, it is sufficient because of the entertainment value of the plate all! thumb high the horror movie from more! „Fear Itself“ is gruftig, but not mieft!
"Dreaming of the Devil" - Behind the scenes with The Other
„Pro-Pain“ are simply tirelessly and somehow the band has a lot of „Motörhead“ or „AC/DC“ common. Not musically, but also in „Pro-Pain“ you know at every album pretty much before the first hearing, what to expect. So say evil tongues like, that it completely, in principle, sufficient an album of New York in his collection to have. This assertion lacks as „Motörhead“ and „AC/DC“ not a certain truth, because even on „Voice Of Rebellion“, the now fifteenth album of the band, are the changes again only marginally perceptible. While critics like to complain about the alleged halt the troops, so you can also reverse this apparent shortcoming vice and mentioned as strength of the band reliability. Anyone choosing as fans the latest work can be sure, that he thus gets exactly, of what he Meskil and Co. expected: Melodic Soli, Double Bass violent thunderstorms and the violent roar of the front man, of such always does not mince his words and continue with an enormous anger inside notes the poverty in the world.
For more than 20 Years blown away Gary Meskil (Bass / vocals), Marshall Stephens (Rhythmusgitarre), Adam Phillips (Leadgitarre) and Jonas Sanders (Drums) with pretty regularity repeatedly a new pound in the face! With reliable Routine Put us pretty much every two years a new album, this time it is „Voice of Rebellion“, hardly that of its predecessor 2013, „The Final Revolution„, is cooled. In their discography vary Mr. Meskil and his colleagues has always been at best the proportion of Hardcore and Thrash Metal, at the „Voice Of Rebellion“ again quite clearly tends toward the latter, yet the final result always „Pro-Pain“ and their very own definition of Metalcore or. Crossover. That's been going on for now 23 Years and will no longer also change in this life probably. „Voice of Rebellion“ bursting again just so angepisstem before Meskils Trademark Pitbull roar, rabid / groovy riffs and brutal double bass barrage, as long as the eardrum participates. Something stimulates the „Pro-Pain“-Mainman still on and he makes his anger in the established manner, passionately and with the usual emphasis air.
Pro Pain - Take It To The Grave
„Pro-Pain“ provide with his usual consistency and quality from. Legs and learn shows „Uncle“ Gary den Jungschwänzen, „where the Bartl brings the new wine“ and there can at most keep up the spearhead of the young guard. Away from outward appearances as clothes, all kinds of Body Modifications, hip Polit- and life settings, presents the veteran credible, authentic and genuine. This applies both for himself and for his sound. Were the last tasting all at V.O. Added powder in Little Greek club, went this time to Florida from Sound Lounge, where mastermind Gary with Corey Williams took care of itself to the production. Have come out 14 Songs full of anger, crisp diet and coarse alignment, the deputy could not have failed. Already the opening title track rolls down everything, what it gets in the way: „This is the Voice of Rebellion“, barks Meskil into the microphone and with such a lot of foam at the mouth, that one Fear and worry could be. But Meskils bloodcurdling organ is not the only, sustainable after a few seconds leaves traces. Even in the shadow of the horrid roaring HC bull neck is huge has been concocted. Fascinating and almost scary, it is, that it creates Meskil, to maintain the level for almost the whole season and, despite all the driving power and impressive hardness must also ensure that sufficient work perfectly and enthralling sawn groove.
But that's only the beginning. Songs wie „No Fly Zone“, „Souls On Fire“ or the thumping HC punk broadside „Take It To The Grave“ are the initial fireworks in terms of penetration and playfulness in every way. „Voice of Rebellion“ spoiled us with straight hardcore thrash like „Righteous Annihilation“ and „Beautiful Death“ and slight punk influences such Beeispiel at „Cognitive Dessonance“. Moreover, have „Pro-Pain“ on this album songs in the repertoire, which resonate louder and more powerful than ever, as the Monster-Groover „Age Of Disgust“ and the completely insane „Enraged“. The force is contagious, cold as a dog's snout and the song material is never boring. The continuous level, with the New Yorker for many years spice up their undertaking, has failed this time rough. With „Voice of Rebellion“ is „Pro-Pain“ actually succeeded once again, to get a shovel hardness more strikes, as still on the quite rough predecessor, But what is likely to be the ordinary fan just right. The merciless fat production by Corey Williams expresses a Meskilschen this Wutbrocken any case properly in the Kauleiste, so fans will have their bright joy! So rattle breakneck riffs every second from the stack, while skillfully between uptempo Ritten and pumping groove inserts the rhythm section swings. And forward is cursed, grunted and gerotzt.
Pro Pain - Age Of Disgust
Ultimately, is undecided, whether „Pro-Pain“ now actually suspect as the album title makes the „Voice of rebellion“ are. Amidst all compelling compromise the tracks are all played at the point and cut again and again Reinsvoll. Meskil manages a homogeneous whole of Hardcore, Thrash / Metal including a massive addition of heavy grooves. The mastermind is aggressive and straight over and you should not come to him stupid. Schon gar nicht, when it comes to gridlocked social or political views, with which the Pro Pain-Chef is always at loggerheads. Then there namely a neatly on the bib – in the form of Music. Overall, the 15. Studio albums of old hardcore stretching a sure thing and will make every fan a lot of fun. Be the price for the most innovative hardcore album „Pro-Pain“ also 2015 not win, but is beautiful, when in today, very fast paced world still has such reliabilities, which also in the coming years high quality are applied to the day. Although the recipe is now over many years proven, bangs it yet again and again. „Voice of Rebellion“ suppressed without end and rocks like hell and going from the first to the last note! In your face!
Who invented it? Exactly, the Swiss. At „Expenzer“ Thrash Metal announced the more contemporary varieties, the Swiss were not only of her compatriot VO. Produces powder, but also materially from its work at „GurD“ affected. But also various Swedish Acts, who have a penchant for Bay Area, appear on the turntables of the five musicians to run in heavy rotation, most notably „The Haunted“. Thus, the Swiss do not have the Thrash Metal (new)fictional, but make the good old hardness with little musical icing and to the irrepressible joy of playing „Expenzer“ an experience of international class. Clever and witty Metal from Switzerland in a fantastic artwork! „Expenzer“ have sold their souls to the thrash metal and that's good!
From the ashes Pigskin's the remaining guys did in the spring 2014 to work and so crawled „Expenzer“ Licht years! The band shared already with genre greats such as Kreator, Fatherund Satyricon die Bretter, still always mean the world. The thrash quintet from the Swiss Siebnen consists of Renato Burkhard (Guitars), Pieric Grosjean (Guitars), Reto Bachmann (Drums), Gregor Luther (Bass) und Tom Kapeller (Vocals) and brings Bay Area in the Modern. But even friends of cultivated Death Metal will get their money, especially those, love playful it, because „Expenzer“ can some of their instruments and prove it, in which you install some progressive and deathige elements, without seeming cluttered.
With „Kill The Conductor“ thrash us eleven songs, the brain from the skull. Each song is well thought out and actually it is indeed at „Kill The Conductor“ um ein Thrash Metal-Album, but much is processed on. Mostly you will be served vulgar and gets a kick in the ass á la „Panther“ or „Machine Head, and then switch to the modernity and how loszudonnern „The Haunted“ in its heyday. The technique and the riffs of bands like „Testament“ or „Exodus“ will indeed repeatedly buyers in Europe and also „Expenzer“ operate there, without claws. Here and there may a bit „Slayer“ not missing and to the part is produced very fat. „Kill The Conductor“ was in Little Creek Studio in Gelterkinden of VO. Received powder, mixed and mastered. Das Label „Czar of Bullets“ throws it on the market and must be more than satisfied, because this mixture of Siebnen ballert really neat, does not sound like 08/15 and makes more than just fun.
Musically goes with „Kill The Leader“ nothing wrong, on the contrary, it is announced demolition! For that, that the band only recently at the start, acting already at a very high technical playing and compositional Level. The riffs saw magnificent and the uptempo pop Parts emphatically. The title track is after the opener „Bitter End“ equal to a face-Tip, I would like to highlight here. With „Play for the Deaf“ comes a very varied track and therefore in my view probably one of the best songs of „Kill the Conductor“. In „Unicorn“ stings purely musical guitar with the horny Solis and the very tech robotic vocal effect out. Cool idea, to stand out from the crowd something, nevertheless upgradeable, I would think. To „LightSpeed Heart Beat“ There are also Video, the should check it necessarily follow. With „Silence of the Amps“ there is a very melodic song, who has everything, what a wrecking ball needed: Groove, Speed, Melody and a really big, dem Song dienliche, Vocal Performance. A Song, the one immediately wants skipping back, to hear him all over again. As a bouncer is still the aforementioned „The Haunted“ with the cover song „Chasm“ gehuldigt.
Light Speed Heart Beat OFFICIAL MUSIC VIDEO
„Kill The Conductor“ is definitely a cool Thrash-Groove Metal disc, kept very straight, without much ado in the mid-tempo. This has sometimes resulted, that just the end of the plate a creative lull has arrived, who knows but with knotless songs and a continuous fire at Reef violence to compensate for the quintet again. Cool is also, is that „Expenzer“ not really subordinate to the classic Thrash, but each looking the song. The song defines the means and not vice versa. What you're looking for a little, is the hit potential, because despite the melodic moments can make no earwigs. Compositionally the eleven Thrash grenades are good, but some vibes are still expandable. As a debut, however, one must proudly pat on the shoulders, because the constant change between melody, Groove and polynuclear Thrash attacks are well and drill mightily in the ear canal. Thus secure nor some air upwards open, But the first idea „Kill The Conductor“ very good and it will be interesting, what does the future! Who „The Haunted“ like and the recent career of veterans welcomed not very, found in „Expenzer“ and „Kill The Conductor“ a reliable substitute drug!
„Cyrence“ come from the beer capital Munich and at least as tasty and tangy (about)foamy imaginative as the blonde Wet. The boys make melodic Thrash Metal along the lines of greats like Metallica, Megadeth or Trivium. „The Hospital“ is their new EP, containing seven strong songs with catchy melodies. Who feels pleasantly recalls the first retest of the lively song material on the early and best times of that popular genre greats, to not disappoint these Bavarian quality suppliers then also the least.
The foundations for „Cyrence“ were already in 2006 placed as a solo project of singer Tim. As a full band they were only starting 2009 on the way. Based in Munich, there is a band in the current cast of Tim Gratwohl (Vocals and Guitar), Dominic Millett (Lead guitar and Animals), Chris Hammer (Bass und Backing Vocals) and Tom Goldberg (Drums). Loud „Cyrence“-Mastermind Grathwohl has the name of no real significance. Your style describe Munich as Melodic Thrash Metal, packed with a modern twist with many riffs, inviting you to headbang, but also melancholy and quiet passages are represented. Solid guitar work is clearly in the foreground. The singing is rough and edgy. I must admit, I until the day of the four guys from „Cyrence“ had not heard much. With release of their first EP called „The Hospital“ has it but changed abruptly.
With „The Hospital“ obtained nearly 37 Minutes Melodic Thrash Metal at its best. The Track „A New Beginning…“ comes to thrash metal an unusual beginning to train: Heavy-der difficult Gitarrensound always more swells to lead to the inevitable. So the band sets after this intro also equal with „Dystopia“ going on and this includes a reef, the good of the Canadian Annihilator might have come. Very melodic with Hetfield'schen hints, but with some more steam! The guitars draw and also the vocals, radiates the amount of energy. In his quick robe he remembers directly classics like „Right the Lightning“ or to the good old days of Trivium „The Crusade“. With „This Life“ it goes in Annihilator pace and guitar wizard Dominic Millett supplies to a brilliant solo, which can be heard. Brutal and hardness with bangs the song from the speakers. Properly ordinary Thrash Metal! Through the speedy drum beat in connection with the stretchy guitar riff the song remains really well in the ear and can convince completely with his melodic thrash attitude.
Cyrence - This Life
With the title track „The Hospital“ we say goodbye then times from reality and devote ourselves lyrically the Fantasy-Horror Kind. The number goes well forward and formally invites to headbang one. Initially, the song reminds of hits like „Battery“, albeit with an oriental touch. The track is drifting but then fix in a hymn from, Could have been the so find with just under seven minutes exactly on a long-lost Metallica plate. With „I Won’t Fall“ is presented, though also a good pace, but here special emphasis was definitely on the Melodic set. Besides heavy riffs guitar also provides some very melodic shares. Designed is interesting then the section in which the song takes precedence and stands alone in the breaks of the instruments. The above 7 Minutes are very entertaining – and who has been looking forward to Guitar Solos, is with „You Kill Me“ served. Convince the density of nimble-fingered and fast solos. A good mix of pretty groovy melodies, strong drums and singing with the force of a fist in the face. With „Purity Control“ ends the amusing pleasure then unfortunately already. Here shows drummer Thomas Goldberg, what he's got. From blast beats to double bass attacks and more. Well done Thrash Metal, then towards the end is a bit softer and humor makes the whole EP to be passed through once again.
The Munich band „Cyrence“ show with their first EP, that it significantly more mature Music can make as few others in the segment. The music is not a simple Geknüppel, but is made up mainly of intelligent songwriting and craft good music. Stronger, melodiöser Thrash, not yet fully developed its hooks, the signs of this but there are. The riffs are catchy and the singer's voice reminds more than only fleetingly to a young James Hetfield. The, what Metallica after their old albums lost has, has apparently rediscovered in Munich and processed into metal-class quality. „Cyrence“ invent Thrash Metal, of course not new, but the album works well as it is and gives a qualitative – unfortunately quite short – Listening experience, which can sit up not only fans of role models. For a first-factory all already sounds admirably mature. If the guys can keep the standard of the EP and even improving on later albums, All doors are open to them. The shekel can recommend all, like to hear the old school Thrash Metal, and put on melodies and lyrics with content.
Last year was „Larceny“ celebrating its tenth anniversary from southern Germany, but for various reasons, u.a. also line-up changes, have so far been published only two albums. Now it's time for round three ring free. Exactly two years after the album „My Fall“ provide „Larceny“ a successor before. Because by the frontwoman Anna Rantou left the band, recalls the sound is no longer so much at „Lacuna Coil“ and Cristina Scabbia, is characterized more Melodic Death Metal and in terms of hardness, the level is also increased significantly. „Into Darkness“ be limited to Melodic Death Metal, but would also be wrong, because always again try the five musicians of other sub-genres and present their songs extremely contrasty. Excursions in the Thrash there as well as the targeted omitting the prefix „Melodic“, when it comes to Death. This time there is from the Stuttgart region to a full twelve.
Suspect Featuring the album and let the first two tracks, that „Larceny“ with „Into Darkness“ want to play a really bleak factory. But also four songs of the previous albums were re-recorded for the third album and alone on the basis of those songs you can clearly see the development, the „Larceny“ have now passed. Even that played with keyboard intro sounds after setting out for a march in the darkness. With „Detour To Hell“ There are direct and violent thrash / Metalriffing and in „Afterlife“ you can hear the black metal influences. Die meisten Melodic Death Metal-Bands, I know, work with growls and possibly Clean Voice, but Oliver Gaupp us here skin rather Screams and shouts around the ears, But what works brilliantly. In the title piece „Into Darkness“ may also prove Conny Ott with a beautiful solo, that a keyboard very well also to this direction fits.
If you have come this far, attracts an anthem „No Surrender“ in livingroom moshpit. Then the tempo is in „Limbus“ throttled something and you get to hear a German song for once. „Hold The Last Light“ is then held again in high-speed, with repeatedly interspersed very quiet Parts, where you can catch your breath and put back in place the neck vertebrae again. Why, however, continues the melody of the guitar only at the last minute, unfortunately does not open up to me very. „I Will Rise“ comes from the first album „Larceny“, There is times (or again) With a good pinch of Thrash to hear Melodic Death Metal Metal. Very successful, I find „Gunpowder Night“, the, as well as the two last songs, from album „My Fall“ dates. Still relatively subdued beginning with piano, missed the drums this track a downright galloping rhythm. „My Fall“ even in high-speed and poaching again „End Of Lies“ one could almost „Hold The Last Light“ compare. Again, fine Black Metal Geschreddere with calm parts.
Larceny - Into Darkness [Melodic Death Metal]
Generally acts „Into Darkness“ produces pleasantly modern and clean. The band does on this album their job well and the Baden-Württemberg dare thus also equal a new musical direction. The very harsh Vocal Group and the melodious sound comes fully into your ear and that is partially, precisely through the many dark sound fragment deep under the skin. Here and there, the singer flashed like a beast auflauerndes out and has simply something for themselves. On the whole, show us the reigns a mixture, which simply goes well into the ear and not just carelessly in Fährwasser of Melodic Death Metal swims. Many own innovations were sent into the race and the extent of the melange is really well done. Since her debut work from the year 2010 has increased the combo indeed and they have succeeded, maintain their Roots, although you had to redeploy up some. Is therefore „Into Darkness“ not only mature, No, the consummated addition of harder parts of the troops is very good to face. Especially nice as a melodic accompaniment, I find the addition of smaller, Epic Sound Packages. About the abundance in Melodic Death Metal can be known to argue, „Larceny“ fortune here but very good mingle and offer many fresh, convincing arguments and does not sound like the umpteenth clone any big band. Worth listening!
„Wasted Puppets“ offer on their debut album „Puppet Show“ a very special puppet theater, that is dominated by the rock of the 70s and 80s. The quartet from Rovaniemi in Lapland offers on the successful shekel simple rock music, with accents of Blues seasoned and hard rock. For many years the band is active u.a. with tours in northern Finland and the promulgation of a few EPs. This Album „Puppet Show“ provides melodic to the listener, catchy and groovy rock Arctic.
„Wasted Puppets“ was in 2011 in Lapland, precisely founded in Rovaniemi Finland and started as an acoustic duo with Jani and Anssi. They quickly grew into a quartet, to come as the drummer and the bass player for the band. Consist Today „Wasted Puppets“ aus Anssi Tuomikoski (Vocals), Jani Klemetti (Guitar), Samuli Visuri (Bass) and Mikko „Hyrski“ Hyyryläinen (Drums). The band is known for their hard work and one of the highlights of her career was a warm-up gig for „Poison“ Cafe Tivoli in the home Rovaniemi.
„Wasted Puppets“ play simple rock music, with a flip side to the Blues. 70He and 80s guitar rock based on rock legends like Zeppelin, Hendrix, Lila, G’n’R, Kiss, Whitesnake and many other, who came after them. All they go with a certain sense of humor, which many a band was good to face, which take too seriously. The humor is also reflected in their lyrics back and the performances of the band are legendary in Finland. The debut album „Puppet Show“ offers genre-lovers a fairly safe experience, Although not sprayed before originality, but simply makes fun, although still one or the other weakness, especially for example in the ballads, can be discerned. But listen to the best equal even pure:
The Finnish band „Amanita Virosa“ calls their sound even „Hospital Metal“ and this shines with supersonic guitar riffs accompanied by overwhelming drums and vocals, hits the nail on the head. „Amanita Virosa“ play Metal in its purest form. Vocally excellent, lyrically at a high level and the Music is just so horny, no neck this can remain calm and there probably closes the circle for „Hospital Metal“, because the sound Headbanging is announced until the doctor comes!
„Amanita Virosa“ come from Mikkeli, Finland and were in 2008 founded. Over the years, the band has matured into its present formation and approach today consists of Jere Korpela (Vocals), Tore Pedersen (Guitar), Pekka Paalanen (Lead Guitar), Juho Oinonen (Bass), Toni Moilanen (Drums) and Cantor Satana (Keyboards), who joined as a last resort to the troops. At the 12. June seems the debut album „Asystole“, which consists of nine tracks, with the necessary brutality come along and stories of hatred and sadness, mental distress, Despair and overcome, Tell lose and profits and so draws his listeners into the spell.
Who has now asked, what for „Hospital Metal“ is, so you can say after listening to this disc, that it is apparently a mixture of melodic death metal riffing, which comes along with a frantic pace, coupled with common vocals, as they are known in the Black Metal, combined with the majestic atmosphere of the Power Metal, These. All this results in an interesting mix, which often works fine, although there are now and then slip fit is not quite. Always again collide the sound elements, which usually just fits, yet the listener tough demands, when the almost romantic-sounding keyboards to supplement contradictory in accordance with the deadly growls to the expectations even more. Also on the guitar has much to offer, there should be, for example, the solo in the song „Drain My blood this earth“ necessarily listen!
„Amanita Virosa“ know their craft and deliver with „Asystole“ a really successful debut from, with strong songs and a good sense of their own musical style. On the whole, the song structures follow a certain scheme and show a good sense of the Song River, although the sound of a particular melody changes from time to time. „Asystole“ adventurous, dramatic, furious and grabs the listener from the beginning and leads him into the way of stylistic „Hospital Metal“, like you've never heard before it this way by a band. Clear is also, that each of the six members has a different taste, which is also reflected in the songs. 6 ways to feel, 6 ways to create, 6 ways to express. „Amanita Virosa“ have with their debut „Asystole“ embarked on an unconventional way and who in a special, metaloide sounds is, the album should definitely set!
Those of you, who previously lived under a rock, get with „Ten Years Of Pussy“ an important training on rock music and the history of one of the strongest bands, the world has ever seen in this genre: „Nashville Pussy“. This 22 Songs comprehensive monster combines the best studio recordings of the past decade with a live bonus EP, recorded 2009 in a captivating show in Nottingham. But you should all warn, because „Ten Years Of Pussy“ is the ultimate rock'n'roll party disk! As soon as you pushed this CD into the player, one begins to dance either, beating or – ahem – to f *****. Maybe even all at the same time.
„If it should ever have been an even better band as opening act for Motörhead, so at least I did not notice anything!“ so Lemmy, when he takes on „Nashville Pussy“ was addressed. One might be tempted now, to evaluate this quote as an individual case. After all, what could be added to God's Word? And that would not in any case a sin? And while you are still mulling over this dilemma, come here already next quote, that you should also be sure to melt in your mouth: „Nashville Pussy is experiencing almost the same adventure, to have as AC / DC seen in the seventies“, comes from Joe Bonomo from „The Story Of The Album Highway To Hell“.
„Nashville Pussy“ are a band from Atlanta, deep in the heart of „BBQ Nation“ and sound so, as if beating AC / DC and Lynyrd Skynyrd, while Motörhead look interested. The band was founded 1997 by Mr and Mrs Blaine Cartwright and Ruyter Suys, emerged from the ashes of Blaine's previous band „Nine Pound Hammer“. Blaine hit Ruyter and the original bassist Corey Parks at gigs of Nine Pound Hammer. Since then the band has more than 1000 Concerts in 40 played different countries, was nominated for a Grammy and toured with Motörhead, ZZ Top, Lynyrd Skynyrd, Slayer and a number of other rock'n'roll heroes, which promptly became fans. Ruyter also got an award for best rock musician of all time. The band has numerous Label, Outlasts trends and bassist. Always if they had been written off, celebrated „Nashville Pussy“ a glorious resurrection, which even Jesus as a Amateur would make it look.
Nashville Pussy - Go Motherfucker Go, Viper Room, Los Angeles, 02.01.13, (HD)
The cast consists of Blaine Cartwright on lead vocals and rhythm guitar. His usual compelling songwriting, especially his insane texts have its reputation from „dementen Cow-Punk-Genie“ to „Man in Black of Rock’n’Roll“ let grow. He also has the best roar of rock music. Ruyter Suys is the lead guitarist and the musical star of the band. She stands at the top of each listing female musician. Ruyter would guarantee the first, which would call from AC / DC and asked for help, if Angus breaks his leg. Their stage antics are legendary and their game is unforgettable. Drummer Jeremy „Remo“ Thompson is a „Tex-human metronome“. He drummed on all important CDs of the group, his influence is an important part of the unique band formula. Bonnie Buitrag called the wonderful new hot bassist. Their outstanding sound properties and its dynamic energy on stage have their bandmates made powerful fire under the ass and forced them, to become an even more perfect combo. Also heard on this CD is the infamous former bassist Karen Cuda, the daughter of a priest from Denver, Colorado.
The 16 Studio tracks on „Ten Years Of Pussy“ all come from the three SPV-releases of the band. The latest of which, „Up the Dosage“ from 2014, was designated as Nashville Pussy's Back in Black. „From Hell to Texas“ from the year 2009 was included in Willie Nelson's studio in Texas and includes the strongest songwriting of the band. „Get Some“ from 2005 in turn was the first SPV publication and the first collaboration with Daniel Rey and has more hooks than a tackle box hillbilly. And then of course the bonus live CD, including an ultimate version of „Nutbush City Limits“ with guest guitarist Ron Heathman of The Supersuckers. And now enough of history, Who wants to learn more History, place this on Wikipedia. Now simply „Ten Years Of Pussy“ pushed into the player and celebrated the recent past of the band, to happy to rock at the same time with her in the near future! No doubt: Since you should definitely be doing!
Declared Dead. So it seems to be, at least in the case of „Full Devil Jacket„. After the Americans but the beginning 2000 at various major festivals and tours playing with greats such as „Nickelback“, „Creed“, „Slayer“ and „Slipknot“ organized, was the band shortly before the big breakthrough. But the drug crash singer Josh Brown and the cancer death of guitarist Michael Reaves offset the tape tart blows and led to a year-long disappearance. Now Brown and colleagues are back, Drummer Keith Foster from the original line, Bassist and guitarist Paul Moss Douglass Varnick complete the lineup and there is no lack of energy of the Force. Josh Brown and his colleagues do not consider themselves with trinkets on but start right through.
Once lived „Full Devil Jacket“ like in paradise, until it was a nightmare. In its early days, the band toured with giants like Nickelback and Creed, with Slipknot and Slayer, it belonged to the billing of the Woodstock 99 festival, had a video clip on MTV rotation and successful singles in the Hard Rock Charts. In short „Full Devil Jacket“ stood on the threshold of international rock universe elites. Then lead singer Josh Brown took an overdose of heroin and almost died. This is more than ten years ago, now publish in May 2015 „Full Devil Jacket“ their second album „Valley Of Bones“, the Justin Rimer (12 Stones) was produced. At „Full Devil Jacket“ musical you have to mention the straight grooves and addictive hooks her vigorous Hard Rocks and lay their songs all those warmly recommend to define, the bands like „Alice In Chains“, „Panther“, „White Zombie“ or „Korn“ stand.
On „Valley Of Bones“ one finds true stories, strong statements and brutally honest observations from life-, by faith, Family and global power structures. Frontman Josh Brown commented important and timeless questions about the state of our world from his own personal perspective and with all his experience. „When we write songs, they have to be absolutely authentic“, he explains, „because I can only sing about something, what I believe in. With today's rock and roll bands can be heard while the same text as in the models of my youth, but I can not see any real conviction in. All topics on the other hand, which I touch, I myself have it- and lived.“ Ended with Browns heroin overdose 2002 abruptly the storybook start a rock band, the hit singles „Where Did You Go?“ and „Now You Know“ could place. After a long period of convalescence convalescent Brown returned as a singer / songwriter of the band „Day Of Fire“ the spotlight back. The debut album of the group was nominated for a Grammy and won 2005 the price „Album Of The Year“ des GMA Dove Awards, wherein „Day Of Fire“ also in the fields of „New Artist Of The Year“ and „Rock Song Of The Year“ were nominated. After a total of three successful discs retired „Day Of Fire“ year 2010 back indefinitely from the public.
Full Devil Jacket - Valley of Bones
Thus, the way was clear for a return of „Full Devil Jacket“. The first reunion served, to raise money for guitarist Michael Reaves, the had cancer. As Reaves died yet decided Brown and drummer Keith Foster, to form the band in memory of her deceased friend again. „Mike was the reason, which is why I today Music doing“, sagt Brown, „He built me, He knew all the rules of the game. When we returned after six-year break for the first time on the stage, to raise money for him, you could feel again the sparks fly.“ This also glow in shredding guitarist Paul Varnick and bassist Moose Douglass, which belong to the 2015er Instrumentation Group. „Full Devil Jacket“ So are back. And they present themselves stronger than ever. With „Valley Of Bones“ comes an album in trade, the equally the coolness of Down, combines the powerful dark-tunes of Alice In Chains and the Modern-rock attitude of Stone Sour in itself.
What album is certainly characterizes the variability, the dynamics of the tracks. Since there is as I said the Metal-Piece with hardcore Inlet as well as the rock ballad, the thread straight rock number or the midtempo Burner. A total of three quarters of an hour sound and more playful rock! Josh Brown sounds a bit like the Canadian Chad Kroeger, only plays his troops to sound, would make the Nickelback, so I could hear the band still, the ballads can namely also like „Paper Crown“ sound. But there on the album some more good tracks. The song „PictureBox Voodoo“ expects sharp-tongued with mainstream media and pop culture from today, while „Seven Times Down“ as aggressive reef-Monster and proves „Paper Crown“ unmasks all those, hide behind their bragging openly ostentatious in fact inferiority complex. Even the title track „Valley Of Bones“ you should lead to heart or the two ballads „The Moment“ and „August“. Likewise, stands out „7xDown“ something out, as well as „Blood of the Innocent“, which is my personal favorite.
„Valley of Bones“ is a truly successful comeback. „Full Devil Jacket“ make the, what they already before 15 Years damn well could: Harten, multifaceted rock. Often sounds „Valley Of Bones“ like a journey through time, but it is overtaken in any way or boring. Grade the mix of hard rock songs and rather quiet tones as in the Song „What If I Say“ make intensive and energetic album. It bears witness to a band, which after a strong start, a disastrous crash and Schickalsschlägen aufrappelt again and reports back with even more energy and power. When „Full Devil Jacket“ live only half as much as provide on this disc, then good Night. Stages of the world, be warned! „Valley Of Bones“ from „Full Devil Jacket“ is a surprising and successful comeback, a really good. Let's hope, that we are now no 15 Years have to wait for the next album more.
When there’s no more room in hell, the dead will dance on earth! Friends, presents the Crypt: ʱ??Dravens Radio from the Cryptʱ??! Here you will a hand-picked Musikprogramm necessary, which was collected by Draven specifically for the best reader of the internetwork. From punk to rock, Folk- bis Thrash-Metal, for any sinister musical taste right. Of course, still a bit louder and better!
Draven presented Tales from the Crypt with all sorts of mysterious from the sinister depths of the network and from any corner of the world. Since the year 2007 will you here a cool weblog mix of music, Movies, Comics, Horror, Games, Art, Radio, Trash, Punk and Heavy Metal on offer - just as it should be! Because believe me, nothing is trivial.
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